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The show that stands out to me most is “The Facts of Life.” The character Jo was so obviously a dyke.
#Edgy gay pride memes tv#
When I was growing up, all my queer characters lived in between the storylines of various TV shows. Yance Ford (“Strong Island,” “Trial by Media”)
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Everyone, including me, had the power to conjure this kind of magic. Resourcefulness - not resources - made great storytelling. The lawsuits against the film were legendary and made Todd Haynes feel like this magical queer outlaw hero wielding creativity and humor against the deadening forces of corporate America. Perhaps most important, it was punk and DIY in a way that dazzled me. It introduced me to a world of gorgeous music while also deconstructing the sparkling Southern California polish of it. I found it entertaining, but it also made me feel sincere sorrow for Karen. It was super camp and somehow extremely emotional at the same time. This tragic female character seen through a queer lens spoke to my own deep loneliness as a closeted 18-year-old. When I finally found it in some dark corner of my small Midwestern college library in the mid-’90s, it jolted my brain in a number of ways. I had heard about it for years, but in a pre-internet world, it was a rare animal that you may or may not be lucky enough to see. Like most people, I first saw “Superstar: The Karen Carpenter Story” on a 10th-generation videotape.
#Edgy gay pride memes movie#
Even though this movie might not be overtly queer, a lot of things are that way, and there is something very special about that. I mean, could there have been a better comedy for queer kids at that time? As queer artists, we get to orient our audience in a world they might not feel welcome in if it were real, giving them a little taste of how we felt when we were little.
#Edgy gay pride memes professional#
She just so happens to catch a news segment on the small TV in her room explaining that her character is a highly wanted professional black widow, which just makes her grin deliciously and slip another chocolate into her mouth. Lo and behold, her first instinct is to cozy up on her soiled cot in a silk peach nighty and sexily feed herself chocolates. There’s a scene wherein Joan Cusack’s character spends her first night at the Addams’ (on the exact same evening that she interviews to become their nanny) and is locked in a terrifying jail cell for a bedroom. Writers are often told that if you have a crazy world, you need a normal character to see it through the eyes of, but in “Addams Family Values,” even the normal characters are as crazy as the Addamses. Not only is it one of the few instances of a sequel being better than its original, it’s also a pitch-perfect lesson in camp. For this gift, as well as the introduction to the glorious icon known as Faye Dunaway, I will always think of “Bonnie and Clyde” as my first gay movie experience. Beatty ordered the subplot removed - but somehow enough of the intention survived that even a barely pubescent gay boy could revel in it.
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Years later, I learned that in David Newman and Robert Benton’s original screenplay, Clyde was bisexual and involved in a ménage à trois with Bonnie and C.W. But my personal obsession had more to do with the ambiguous sexuality of Clyde, as played by the stunningly beautiful Warren Beatty.
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I was already a film geek, so I knew the movie was considered groundbreaking. It was the first movie I discovered on my own and the first I fell in love with. Which is how I managed to see “Bonnie and Clyde” four or five times as a 12-year-old, despite its R rating. One of the advantages of growing up in New York in the late ’60s was that lots of movie theaters were too run-down (or empty) to bother enforcing the ratings system.